#documentary

Evolution Cuba Hits Detroit

Andrew Black, filming Evolution Cuba: TWO BROTHERS in Detroit.

Andrew Black, filming Evolution Cuba: TWO BROTHERS in Detroit.

Aldo Lopez-Gavilán and Ilmar Gavilán, subjects of our film, TWO BROTHERS, continued their first ever U.S. tour in Detroit. Ilmar knew Detroit, as many years ago he won the Sphinx competition for classical players of color. Sphinx, in their efforts to integrate the world of classical music in the U.S., nurtured the Harlem Quartet, Ilmar’s group, which includes Melissa White, and African-American violinist, Jaime Amador, a Puerto Rican violist, and Felix Umansky, a Russian-Jewish cellist. But Aldo, joining the Quartet on this tour, had never heard of Detroit, and was shocked and delighted when we went to the Henry Ford Museum. Aldo had no idea that all of those sexy old American cars in Cuba were designed and built in Detroit. He was like a kid in a candy shop in the museum, ogling at the cars he knew from the 50s, as well as the Model Ts and a locomotive from the 1880s.

Ilmar thought he knew Detroit—he knew what most of us think we know—the narrative of a “failed city,” gutted by offshoring of factories, poverty, crime, white flight, etc. But then we went to the Heidelberg Project, a community art project started by the artist Tyrene Guyton in 1986. He took a block of burnt-out buildings and created something remarkable, which has evolved into a series of sculptures made from the flotsam and jetsam of modern life. Shoes, toys, discarded plastic and the like become the palette for a canvas of color and form, including a polka-dot house and brightly colored fences and gates. Ilmar and Aldo were blown away. Ilmar Face-timed his family to show them what he was seeing and experiencing, and told the camera that he never imagined this was possible. In Havana, yes—but in America, he had not seen this. They both spoke of the indomitable human desire to create beauty out of any materials available, regardless of how much or how little we have. The Havana-Detroit connection: cars, music...and art, in any form.

The Havana-Detroit connection: Ilmar and Aldo.

The Havana-Detroit connection: Ilmar and Aldo.

What Happens in Vegas...

Ilmar Gavilan, Aldo Lopez Gavilan, Ken Schneider

Ilmar Gavilan, Aldo Lopez Gavilan, Ken Schneider

I caught up with Aldo and Ilmar, on tour in the U.S. for the first time (due to the loosening of U.S. restrictions on Cubans) in a downtown Vegas hotel. I filmed their concert with Ilmar’s Harlem Quartet at the Troesh Theater, part of Vegas’ new performance center intended for locals, away from the strip. After the show, hot and desperate for a cold drink, we shared cocktails and hit the boulevard, braving the crowds, taking the elevated tram, and descending into the lobby of the Bellagio, a Technicolor show somewhere between Candyland and Christmas. Walking through a world of chocolate fountains, talking trees and high-end shops, we arrived at the famed fountain and enjoyed the show. Ilmar loved it, in all of its tackiness; When Aldo asked me what people actually do here, I explained about the gambling, the weddings, the shows, the ability to drink alcohol on the street and buy absolutely anything one can afford. He mused that this is a city where people find many ways to waste money. I agreed.

Harlem Quartet

Harlem Quartet

It was fascinating to see Vegas through their eyes—the immigrant who loves his adopted country and the brother who remained in Cuba, appreciates the generosity of American audiences, and is still skeptical of our various offerings. As I’ve often felt, there is nuance flying everywhere in their stories.